My personal analysis of "Maus"

WARNING!: There may be some spoilers of Maus.  I suggest you should read both volumes first before reading this blog.

The Holocaust is considered to be one of the most horrific events in history.  In fact, the event was so horrific, that it is very hard to make art portraying the Holocaust.  Maus is an example of a comic book that portrays the Holocaust very powerfully.  Because of its powerful portrayal, Maus has become one of my favorite comic books.  I will not make this blog merely about what I liked about the graphic novel.  Instead, I will analyze two different components I noticed in the book.  (I am only analyzing two details because I do not have any time to examine everything in Maus.)

I would like to first mention a scene at the beginning of Chapter 2 of the second volume.  In this section, Spiegelman (as a human wearing a mouse mask) states how "the first part of MAUS...was a critical and commercial success", yet he has "been feeling depressed" (Spiegelman 41).  Spiegelman even creates a large picture of himself sitting on top of dead Jews.  (This image is shown below under the paragraph).  Spiegelman includes this section in the graphic novel because he notices how he is getting praise for his story.  However, he actually feels guilt for receiving the credit because he did not create the story of Maus.  He knows the story is a true tale of his father's experience in the Holocaust.  He knows that if the Holocaust never happened, he would've never made Maus.  In other words, Spiegelman feels as if he is making a profit from the people who have died in the Holocaust.  He emphasizes this in page 42 of Maus II when he gets interviewed by various people.  It is clearly shown in his responses, such as "I-I never thought of reducing it to a message" (Spiegelman 42), that he does not want to receive all of the credit for his father's story.

Another detail I would like to refer to is why Spiegelman portrays Jews as mice.  I know that in class, we have already discussed the reasons.  We deduced that Spiegelman Portrays Jews as mice and Nazis as cats because cats prey on mice.  Therefore, most of us agreed that Spiegelman wanted to symbolize how the Nazis "preyed" on the Jews.  I would actually like to point out another possible reason for the symbolism of mice.  If you look at page 109 of Volume 1, you see 3 frames revealing a close-up of Tosha's facial expressions.  (I know the image below says page 111 and is in a foreign language, but the section is really in page 109 in our English copy of Maus).  While there is some noticeable change in her facial expressions among the panels, each expression still looks very similar to each other.  So if Spiegelman were to only use pictures in Maus, then many readers would not feel any emotion from the story. In fact, these similar facial expressions are used in every single Jewish character in the book.  Also, the faces of the characters drawn as mice were so similarly, that I had a hard time distinguishing between these characters at various parts of the comic book.  Spiegelman uses the face of a mouse for some of his characters because there aren't many facial expression to be made with a mouse's face.  Spiegelman could have portrayed the Jews as humans and add in the facial expressions (as he did with the brief comic known as "Prisoner on the Hell Planet").  But he instead uses a mouse's face simply because he couldn't find a way to demonstrate how it felt to be in the Holocaust.  He could not find this way because he didn't witness the Holocaust, his father did.  So he portrays Jews as mice to not only symbolize how they were hunted by the Nazis, but also to demonstrate that people would never truly know the horrors of the Holocaust (unless they witnessed it themselves).